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Choosing grid width and color limits

Explore real conversions at different grid widths and color limits, with actual counts beside each result.

Change one decision at a time

Grid width controls how much spatial detail the picture can hold. The color limit controls how many materials a conversion may use. Neither is a quality score. Compare the same source at 50, 100 and 150 cells wide, using limits of 8, 16 and 24 colors.

Digital pattern: Cat at 100 stitches and up to 16 colors
100 × 100 cells; 9 actual colors from a limit of 16.
Enlarged center of the selected pattern for inspecting small details
Enlarged center detail. Select another conversion to compare the same area.

5,226 filled cells · 520 isolated cells · 616 cells in small regions

All conversions of the same source at 14 count
GridColor limitActual colorsFilled cellsIsolatedSmall-region cells
50 × 50861,304129189
50 × 501691,304279375
50 × 5024131,304301401
100 × 100865,226368444
100 × 1001695,226520616
100 × 10024125,226572658
150 × 1508411,747321439
150 × 15016811,747761925
150 × 150241111,747837953

These are actual digital conversions using the same demonstration palette. A color limit is a maximum, not a promised number of colors. Different settings can produce identical results. Small-region cells belong to same-color groups of one or two cells connected horizontally or vertically. These counts describe the grid; they are not a difficulty score.

Read the picture as well as the numbers

Start at 100 cells and a 16-color limit in the comparison. Keep the width fixed and compare 8 with 24. Look at the eye, face boundary and larger color areas. Then hold the color limit fixed and change the width. More cells can preserve a contour while also increasing the amount of work represented by the grid.

Actual colors may be fewer than the limit. Isolated cells are single-cell regions; small-region counts include cells in small connected areas. An eye highlight can be intentionally isolated. Inspect these locations before treating a smaller count as an improvement.

Choose a usable starting point

Select the scheme whose important details remain readable to you. Use a few deliberate edits for a distracting cell or a broken outline. If the whole subject is hard to recognize, revisit the crop or grid size first.

Generate three schemes for your image. Compare the actual colors, isolated cells and the face or outline before selecting one.

Try it in the cross-stitch studio

Working with one bead board? See the fixed 29 × 29 comparison.