Choosing grid width and color limits
Explore real conversions at different grid widths and color limits, with actual counts beside each result.
Change one decision at a time
Grid width controls how much spatial detail the picture can hold. The color limit controls how many materials a conversion may use. Neither is a quality score. Compare the same source at 50, 100 and 150 cells wide, using limits of 8, 16 and 24 colors.
5,226 filled cells · 520 isolated cells · 616 cells in small regions
| Grid | Color limit | Actual colors | Filled cells | Isolated | Small-region cells |
|---|---|---|---|---|---|
| 50 × 50 | 8 | 6 | 1,304 | 129 | 189 |
| 50 × 50 | 16 | 9 | 1,304 | 279 | 375 |
| 50 × 50 | 24 | 13 | 1,304 | 301 | 401 |
| 100 × 100 | 8 | 6 | 5,226 | 368 | 444 |
| 100 × 100 | 16 | 9 | 5,226 | 520 | 616 |
| 100 × 100 | 24 | 12 | 5,226 | 572 | 658 |
| 150 × 150 | 8 | 4 | 11,747 | 321 | 439 |
| 150 × 150 | 16 | 8 | 11,747 | 761 | 925 |
| 150 × 150 | 24 | 11 | 11,747 | 837 | 953 |
These are actual digital conversions using the same demonstration palette. A color limit is a maximum, not a promised number of colors. Different settings can produce identical results. Small-region cells belong to same-color groups of one or two cells connected horizontally or vertically. These counts describe the grid; they are not a difficulty score.
Read the picture as well as the numbers
Start at 100 cells and a 16-color limit in the comparison. Keep the width fixed and compare 8 with 24. Look at the eye, face boundary and larger color areas. Then hold the color limit fixed and change the width. More cells can preserve a contour while also increasing the amount of work represented by the grid.
Actual colors may be fewer than the limit. Isolated cells are single-cell regions; small-region counts include cells in small connected areas. An eye highlight can be intentionally isolated. Inspect these locations before treating a smaller count as an improvement.
Choose a usable starting point
Select the scheme whose important details remain readable to you. Use a few deliberate edits for a distracting cell or a broken outline. If the whole subject is hard to recognize, revisit the crop or grid size first.
Generate three schemes for your image. Compare the actual colors, isolated cells and the face or outline before selecting one.
Try it in the cross-stitch studioWorking with one bead board? See the fixed 29 × 29 comparison.